museumuesum:

Brice Marden

Adriatics (A), 1973, Etching with aquatint, 32 9/16 x 22 1/4 inches

Adriatics (B), 1973, Etching with aquatint, 32 5/8 x 22 1/4 inches

Adriatics (C), 1973, Etching with aquatint, 32 1/2 x 22 3/16 inches

Adriatics (D), 1973, Etching with aquatint, 34 3/8 x 23 7/8 inches

Adriatics (E), 1973, Etching, 34 3/8 x 23 7/8 inches

Adriatics (F), 1973, Etching, 32 9/16 x 36 3/8

Adriatics (G), 1973, Etching, 32 5/8 x 36 inches


apolloniasaintclair:

Apollonia Saintclair 425 - 20131104 Les représailles (The retribution)

apolloniasaintclair:

Apollonia Saintclair 425 - 20131104 Les représailles (The retribution)


apolloniasaintclair:

Apollonia Saintclair 486 - 20140521 La fille cruelle (Alice in furs)

apolloniasaintclair:

Apollonia Saintclair 486 - 20140521 La fille cruelle (Alice in furs)


apolloniasaintclair:

Apollonia Saintclair 500 - 20140627 La paix des profondeurs (The quiet place)

apolloniasaintclair:

Apollonia Saintclair 500 - 20140627 La paix des profondeurs (The quiet place)



asylum-art:

Black Light Bodyscapes by John Poppleton

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asylum-art:

Lee Guk Hyun

Lee Guk Hyun is a painter hailing out of Seoul, South Korea. Lee creates soft and beautiful oil on canvas paintings of “veiled” women.




asylum-art:

Graziano Locatelli

The works all have the name of a street or a street that has been part of the life of Locatelli and want to be an element of profound innovation in contemporary art. This is how the walls torn, shattered sculptures in which the memory bully comes across space and time, giving voice to a neurosis and an emotion tied to the objects that have left deep scars in the life of the artist. The tiles vintage crumbling and animate in a three-dimensional movement, are the chosen element to emphasize the power and vehemence that the memories have in our lives.  A broken wall in a house “uninhabited” that wants to tell his story.  Hence the title of the exhibition “Disabitare” as an evocation of a time that was where the object that has been forgotten its presence screams coming out of the walls, the walls, from our memories. An attempt, therefore, “Re-inhabiting” to Locatelli, an attempt to revive a past that would not be forgotten, but that is hard to forget.



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